Georgian literature

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Georgia has a long literary heritage, with some of the oldest surviving texts dating back to the 5th century. A golden age of Georgian literature flourished under the unified kingdom of David IV in the 11th century. However, political fragmentation and foreign invasions following a peak in literary tradition during the reign of Queen Tamar (1184-1213 CE) led to a cultural decline.

History[edit]

Early origins[edit]

The earliest known Georgian literary work, The Martyrdom of the Holy Shushanik by Iakob Tsurtaveli, was composed between 476 and 484 CE.[1] It belongs to the literary genre of hagiographies.[2]

The ninth and tenth centuries witnessed a flourishing of Christian theological literature, intertwined with a growing sense of Georgian national identity. This is exemplified in Praise and Glory to the Georgian Tongue by 10th-century monk Ioane-Zosime.[1]

Georgian Golden Age (11th-13th Centuries):[edit]

Shota Rustaveli (c. 1160 – after c. 1220), poet and author of "The Knight in the Panther's Skin", a national epic poem

David IV's unification of Georgia in the 11th century ushered in a golden age for culture. Christian literature thrived, heavily influenced by Byzantine traditions. Numerous Byzantine works were translated into Georgian, and philosophy and historical writing flourished.[1]

This era also saw the birth of secular literature, drawing inspiration from Georgian folklore as well as Persian and Arabic literary traditions.[1] Heroic epics, tales of chivalrous love, and knightly adventures became prominent, with poetry reigning as the dominant literary genre.[1]

The reign of Queen Tamar (AD 1184-1213) marked the pinnacle of medieval Georgian literature. This period witnessed a flourishing of literary production, with Shota Rustaveli's epic poem, "The Knight in the Panther's Skin" (Vepkhistqaosani), emerging as a masterpiece.[1] Considered one of the most significant works of Georgian literature,[3] the poem narrates the adventures of Avtandil, a knight sent by Queen Tinatin on a quest to find another mysterious knight. The story unfolds with twists, culminating in a double wedding.[1]

Following Queen Tamar's reign, Georgia's political fragmentation and foreign invasions led to a decline in literary output.[1]

Resurgence (17th-18th Centuries)[edit]

The 17th and 18th centuries saw a resurgence in literary activity. Kings like Teimuraz I and Archil II contributed to the field. This period produced notable works like The Book of Wisdom and Lies by Sulkhan-Saba Orbeliani, alongside works by David Guramishvili and Bessarion Gabashvili. Themes of a suffering homeland and grief resonated during this era. Despite Persian oppression, Georgian authors often displayed admiration for Persian language and poetry.[1]

Westernization and Romanticism (19th Century)[edit]

The 19th century marked a shift towards Western influence as Georgia gradually joined the Russian Empire. Romanticism became the dominant style, with leading poets like Alexander Chavchavadze, Grigol Orbeliani, and Nikoloz Baratashvili shaping the era.[1]

The next generation saw a rise in nationalism and a growing focus on social issues. The "Tergdaleulebi" movement, advocating education and reform, led by Russian-educated Georgians, heavily influenced literature. Realism gained prominence, with writers like Ilia Chavchavadze, Akaki Tsereteli, Alexandre Kazbegi, and Vazha-Pshavela drawing inspiration from both Russian and Western European literature.[1]

20th Century: Revolution, Repression, and Rebirth[edit]

The early 20th century witnessed a flourishing of literary styles and authors. This vibrancy continued until the Stalinist purges of the 1930s, which tragically silenced many writers unwilling to conform to socialist realism.[1]

In the early 20th century, the city of Kutaisi became an avant-garde literary hub, with the literary, symbolist group "Blue Horns" featuring prominent figures like Titian and Galaktion Tabidze, Paolo Iashvili, and Grigol Robakidze.[1][4]

Mikheil Javakhishvili, Konstantine Gamsakhurdia, and Nodar Dumbadze are considered the 20th century's most influential prose writers.[1]

See also[edit]

References[edit]

  1. ^ a b c d e f g h i j k l m n Coene, Frederik (2010). The Caucasus: an introduction. Routledge contemporary Russia and Eastern Europe series. London ; New York: Routledge. p. 201. ISBN 978-0-415-48660-6. OCLC 311036644.
  2. ^ Mrevlishvili, N., & Jikurashvili, T. (2024). Later editions of Shushanik tortures. Language and Culture, 9, 180-186.
  3. ^ Elbakidze, M. Medieval Georgian Romance by Shota Rustaveli in the Context of European Chivalry Romance. Intercultural Perspective, p. 129.
  4. ^ Ninoshvili, L. (2011). The 1990s “Kutaisi Wave”: Music and Youth Movement in a Postindustrial Periphery. Current Musicology, (91). p. 12

Sources[edit]