Triarii (band)
Triarii | |
|---|---|
| Origin |  Germany |
| Genres | Example: |
| Years active | 2004–present |
| Labels | Eternal Soul Records, Cold Meat Industry |
Triarii is a one-man music project from the genre of martial industrial, whose name derives from the elite soldiers of the Roman battle order, the Triarians. Christian Erdmann is responsible for the music. The recordings of Triarii are published by the label Eternal Soul Records. Characteristic for the style of the project is the pathetic and sublime sound of the music and the use of samples. Erdmann himself contributes only sporadic (heavily distorted) vocals; according to his own statement, his goal is to "at some point dissolve into complete megalomania".[1]
History[edit]
After a long period of preliminary musical work, Christian Erdmann's overall artistic concept Triarii was well received by the Berlin music label Eternal Soul in 2004. There, the first single "Triumph" was soon released, which already had the classic martial-industrial sound: "On the one hand monotonous-rhythmic [sic!] atmosphere, majestic and gloomy, on the other a catchy collage that makes extensive use of speech samples".[2]
With Ars Militaria, the first full-time album was released the following year, along with the second single "Imperivm", with which Erdmann took a clear step in the direction of film music (Anthem from the Iron Flame, Europe in Flames), but at the same time began his thematization of ancient war history (Legio VI Ferrata). The title "Son of the Sun" refers to Savitri Devi's book of the same name. Reviewers criticized the "unbroken bombast" that runs throughout the album.[2] The song "Mother of Pain" was accompanied in 2008 by an Argentine short film about German expressionism and avant-garde aesthetics.[3]
The successor Pièce Héroique was released in 2006 on May 8.[4] In addition to various very martial pieces ("On Wings of Steel", "Heaven and Hell") Erdmann expanded the stylistic range of his project on this album. Victoria is slightly reminiscent of the music of the medieval scene, while "Roses 4 Rome" is a flawless neofolk piece. The latter is particularly noteworthy, as this song was written with the help of Tomas Pettersson of Ordo Rosarius Equilibrio - a collaboration that would lead to the joint project TriORE with the album Three Hours in 2009.
In 2008, the album Muse in Arms was released, according to Erdmann "sonically much clearer, somewhat more filigree and musically far more mature than the releases before".[1] In direct comparison, the album appears less warlike; the compositions are often dominated by classical ("Sonnenwalzer") as well as ominous, ambient-like ("Wir kommen wieder") elements. While previous releases were always vague in the interpretation of the period they addressed, Muse in Arms more clearly highlights the conflicts of the 20th century. For example, the song "Fatalist" uses samples from the propaganda film Ein Lied vom Stahl of the German Labor Front.[5] Marcus Stiglegger's Icons magazine, on the other hand, interpreted the album as a musical "essay on the cult of the sun." Muse in Arms was received very positively in the scene for the most part;[1] according to one review, Triarii had even "now established themselves at the forefront of a movement that seeks its salvation in a kind of departure for recollection".[6]
Critique[edit]
Like many bands from the neofolk and martial-industrial sector, Triarii is occasionally accused of being politically right-wing and glorifying war. Criticisms in this regard include the songs Der Verwundete (In Memoriam Arno Breker) and "Son of the Sun" (both on Ars Militaria): while the former song refers to a sculpture by Nazi sculptor Arno Breker from 1938, the latter is obviously inspired by a book of the same name by neo-Nazi esoteric Savitri Devi.[7] The song title The inevitable Farewell of Democracy (on Pièce Héroique), the cover image of Muse in Arms,[8] or the band motto "Vivere militare est"[9] also seem provocative.
In interviews, Christian Erdmann himself repeatedly expressed his rejection of the function of art as an "instrument of political motivation";[10] art, he said, had to work with provocations "in order to draw attention to things or to stimulate thinking".[1] The booklet accompanying the album Muse in Arms also contains the following dedication:
"Muse in Arms is dedicated to all narrow minded people
to all those, who are afraid of asking questions
and those, who are even more afraid of receiving answers
Art is never only left or right
nor is it only black and white"
Life is not that simple
— Triarii, Album booklet Muse in Arms
Discography[edit]
| Year | Title | Format |
|---|---|---|
| 2005 | Ars Militaria | CD |
| 2006 | Pièce Héroique | CD |
| 2008 | Muse in Arms | CD |
| 2011 | Exile | CD |
| Year | Title |
|---|---|
| 2004 | Triumph |
| 2005 | Imperivm |
| 2008 | We are One |
| 2011 | W.A.R. |
See also[edit]
Notes[edit]
- ^ a b c d necroweb.de at archive.today (archived September 9, 2012)
- ^ a b Online-Besprechung at the Wayback Machine (archived October 21, 2004) of various Eternal Soul productions on the :Icons: - Homepage
- ^ Nils Wegner:Avantgarde, Lehmpuppen und die Geburt des Bösen at archive.today (archived August 2, 2012)
- ^ Axel Meese:Triarii - Pièce Héroique. Götterdämmerung hat einen neuen Namen. May 2006
- ^ Niels Wegner: Heroischer Realismus. Martial Industrial/Military Pop ist im Kommen in: New Order IV/09, p. 34
- ^ Review in Terrorverlag-Webzine
- ^ The book was titled A Son of God: The Life and Philosophy of Akhnaton, King of Egypt in the first edition and was titled Son of the Sun: The Life and Philosophy of Akhnaton, King of Egypt from the second edition. [1]
- ^ It shows an imperial eagle; s.dsimg.com at archive.today (archived July 13, 2012)
- ^ "To live is to struggle", a quote from Seneca. s.dsimg.com at archive.today (archived July 18, 2012)
- ^ Michael Kuhlen: Klare Strukturen, absolute Kontrolle. Triarii-Interview in Obliveon-Magazin at archive.today (archived July 12, 2012)
Bibliography[edit]
Michael Kuhlen: Klare Strukturen, absolute Kontrolle. Triarii-Interview in Obliveon-Magazin