Black Paintings (Stella)

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The Black Paintings are a series of 24 minimalism related works executed by the painter and sculptor Frank Stella (1936–2024) in the late 1950s and 1960 in what is seen as being a response to abstract expressionism. The series was executed between 1958 and 1960.[1] Some consider the works to be examples of minimalism and others one of the precursors of that movement in the visual arts.

Stella used commercial enamel paint and a house-painter's brush, he painted black stripes of the same width and evenly spaced on bare canvas, leaving the thin strips of canvas between them unpainted and exposed, along with his pencil-and-ruler drawn guideline.[2]

These works are considered to have been Stella's breakthrough works. Four paintings from the series were included in the seminal exhibition at MoMA curated by Dorothy Miller, Sixteen Americans.[3]

Die Fahne Hoch! (1959) now in the permanent collection of the Whitney Museum of American Art is perhaps the most famous work in this series. The title of this work which means Raise the Flag!, in German, is taken from the anthem of the Nazi Party, the "Horst-Wessel-Lied", and is one of three paintings in the series which makes direct reference to Nazism. Stella maintained that there was zilch in the work beyond what is observable and notoriously remarked What you see is what you Get.[4]

References[edit]

  1. ^ "Frank Stella, a painter's painter and one of the leading abstract artists of his generation, has died, aged 87". The Art Newspaper - International art news and events. 5 May 2024. Retrieved 9 May 2024.
  2. ^ Marzona, Daniel (9 May 2004). "Minimal Art". Taschen. Retrieved 9 May 2024 – via Google Books.
  3. ^ "Frank Stella. The Marriage of Reason and Squalor, II. 1959 | MoMA". Retrieved 9 May 2024.
  4. ^ "Frank Stella | Die Fahne hoch!". whitney.org. Retrieved 9 May 2024.