Mary Ann Wells

From Wikipedia, the free encyclopedia
Mary Ann Wells
Mary Ann Wells, member of the Soroptimist Club of Seattle, ca. 1920s.
Born(1894-06-07)June 7, 1894
Appleton, Wisconsin, U.S.
DiedJanuary 8, 1971(1971-01-08) (aged 76)
OccupationDance teacher
SpouseA. Forest King (m. 1916)

Mary Ann Wells (June 7, 1894 – January 8, 1971) was an American dance teacher known for her significant contributions to the field of dance education. Born in Appleton, Wisconsin, Wells began her career as the first ballet teacher at the Cornish School of Music in Seattle. She later established her own studio in c. 1922, where she emphasized a philosophy of artistic exploration and expression over technical precision. Throughout her career, Wells mentored numerous talented dancers, many of whom went on to achieve prominence in the dance world.[1]

She is considered the most influential ballet teacher of Pacific Northwest.[2][3]

Biography[edit]

Early life and education[edit]

Mary Ann Wells was born on June 7, 1894, in Appleton, Wisconsin, to Charles Wells and Nell (last name unknown). Her dance training included studying with the noted ballet teacher Luigi Albertieri, who was associated with the Chicago Opera at the time. Wells's only performing experience was a brief stint with the Minnesota Stock Company.[1]

Career[edit]

In 1916, at the age of 21, Wells relocated to Seattle and took on the role of the inaugural ballet instructor[1] as well was the founder and head of the dancing department at the Cornish School of Music,[4][5] a position she held until 1922. During her time at the Cornish School, Wells played a key role in establishing the ballet department and overseeing student performances, fostering an environment that nurtured aspiring dancers. It was also in 1916 that Wells married A. Forest King, a Seattle-based businessman, with whom she bore no children.[1]

We wouldn't have this company today without her (Ms. Wells') vision. When we fell into her hands, we fell into her way of thinking.

Gerald Arpino, in an interview with the Observer-Reporter in 1982[6]

After her tenure at the Cornish School, Wells founded her own dance studio in Seattle in c. 1922.[7][1] The studio named "Mary Ann Wells School of Dance,"[8] featured a quote from poet Kahlil Gibran on its walls, reflecting Wells' approach to dance instruction. Despite her association with the I AM Temple, known for its strict vegetarian practices, Wells focused on cultivating her students' passion for dance rather than enforcing rigid technical standards. Her teaching style aimed to encourage artistic exploration and self-expression in a supportive setting.[1]

Wells' studio, strategically located above a restaurant owned by the father of one of her most talented students, Robert Joffrey, served as an incubator for emerging dance talent. Under Wells' mentorship, several of her student dancers found success in the dance industry.[9] Among them, Gerald Arpino, Martin Buckner, William Weslow, and Richard Englund gained prominence as choreographers and directors after honing their skills under her guidance.[1][2]

The Town Crier, v.15, no.37, Sep. 11, 1920

Later life and legacy[edit]

She retired in 1958 due to poor eyesight. Despite minimal direct involvement with the Joffrey Ballet, its style echoed her teachings. The company dedicated its 1971–1972 season to her memory, following her death in 1971 in Seattle.[1]

References[edit]

  1. ^ a b c d e f g h Doris 2000.
  2. ^ a b DoWW 2007, p. 1980.
  3. ^ "Joffrey, Robert (1928-1988)". www.historylink.org. Retrieved 2024-05-10.
  4. ^ "CORNISH DANCERS CLASSIC DANCE ACT". The Vancouver Sun. 12 August 1920. p. 7.
  5. ^ "Pacific Northwest Ballet". www.historylink.org. Retrieved 2024-05-10.
  6. ^ Posner, Marylin A. (25 February 1982). "Sailor Says Ahoy to Dance". Observer-Reporter. p. C-9.
  7. ^ "Dance Adjudicator Named for Festival". Spokane Daily Chronicle. 18 April 1949. p. 9.
  8. ^ "archives.nypl.org -- Mary Ann Wells photographs". archives.nypl.org. Retrieved 2024-05-10.
  9. ^ "200 Helpers on Music Job". The Spokesman-Review. 27 March 1949. p. 2.

Bibliography[edit]

External links[edit]