Keane of Kalgoorlie

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Keane of Kalgoorlie, or a Story of the Sydney Cup
Directed byJohn Gavin
Written byAgnes Gavin
Based onplay by Edward William O'Sullivan
Arthur Wright
from the novel by
Arthur Wright
Produced byHerbert Finlay
Stanley Crick
StarringJohn Gavin
Agnes Gavin
CinematographyHerbert Finlay
Production
companies
Crick and Finlay
Release date
September 1911[1]
Running time
4,000 feet[2] or 3,000 feet[3]
CountryAustralia
LanguageSilent film

Keane of Kalgoorlie, or a Story of the Sydney Cup is a 1911 Australian silent film set in the racing and gambling circles of Sydney, based on a popular play by Edward William O'Sullivan and Arthur Wright, adapted from the novel by Wright.

It was made by the husband and wife team of John and Agnes Gavin and is considered a lost film.

Synopsis[edit]

Sydney clerk Frank Keane is in love with Tess Moreton, who is desired by Gregory Harris. Keane farewells Tess at Circular Quay in order to go west to seek his fortune. Harris arranges with Harold Rose to send a telegram to Tess saying that Keane has married a Kalgoorlie barmaid. Tess believes this and marries Harris.

Ten years later, Keane and Tess meet again. Keane has become rich and wants to enter his horse in the Sydney Cup. He meets Harold Rose, who confesses the truth about falsifying the telegram, then shoots himself. Harris robs Rose's dead body and is spotted by a dosser, who blackmails him.

Tess overhears Harris and the blackmailer discussing a plan to abduct Keane's horse and prevent it from winning the race. With Tess' help, Keane ensures his horse wins the race. However, Harris then accuses him of the murder of Rose. However at a trial, a stolen watch proves his innocence, and Harris is arrested while Keane is freed. Harris kills himself and Keane and Tess get married.[1]

Cast[edit]

Original novel[edit]

Keane of Kalgoorlie: A Tale of the Sydney Cup
AuthorArthur Wright
CountryAustralia
LanguageEnglish
PublisherSunday Times Newspaper Company
Publication date
1907

Arthur Wright's story was first published in the Referee in 1906.[4] He expanded it into a novel, which was published the following year by the Sunday Times Company.[5]

Plot[edit]

Frank Keane is in love with Tess Morton but they have no money, so he decides to leave his home in Sydney and seek his fortune in the Kalgoorlie goldfields. Two years later he and his friends, including Harold Ross, strike it rich. But then Frank receives a letter informing him that Tess has married the villainous Gregory Harris.

Eight years later, Harris has fallen into financial trouble, stolen from Tess, served a stint in gaol. Frank has become very wealthy and returns to Sydney. Frank learns from Harold Ross why Tess married Harris: Frank and his friend needed money on the goldfields to keep digging. Harris promised Ross £100 if he would forge Frank's handwriting and send a letter from the goldfields claiming that Frank had married a barmaid; Ross did this and a heartbroken Tess then married Harris. Ross asks Frank for some money to help him but Frank refuses. Ross is later found dead in the Domain, having been murdered by Harris.

Frank and Tess are reunited and visit the Randwick Races together, where they are spotted by Harris. Harris is spending money he has stolen from Ross.

Harris tries to destroy Keane's horse, which is running against one of his own in the Sydney Cup. When Harris dies, he contrives things so that Keane is blamed for his death. Eventually however, Keane's horse wins the race and he is proved innocent and reunited with Tess.

Reception[edit]

The book was popular with readers and launched Wright's career.[6]

A critic from the Advertiser compared the book to the works of Nat Gould and said it "makes no claim to any high order of merit, yet it i. as readable as many sensational stories of a more pretentious character... the story is written by one who has evidently seen a good deal of the darker side of life and is well acquainted with the turf, two important qualifications for the production of a work intended only to amuse... ought to find many readers."[7]

Theatre adaptation[edit]

Keane of Kalgoorlie
Written byEdward William O'Sullivan
Arthur Wright
Date premiered18 April 1908[8]
Place premieredHaymarket Hippodrone, Sydney, Australia
Original languageEnglish
GenreMelodrama

Development[edit]

Wright thought the novel had possibilities as a play and approached Edward William O'Sullivan, who had written the successful plays Cooee and Eureka Stockade for his opinion. O'Sullivan was enthusiastic and encouraged Wright to write the story up as a play, offering to rewrite it for him. This was done, although O'Sullivan later said "it did not require much alteration, as Mr. Wright had the true dramatic instinct."[9] O'Sullivan recommended the play to theatre entrepreneur E. I. Cole in early 1908.[10]

Productions[edit]

The production debuted at the Sydney Hippodrome on 18 April 1908 and starred W.H. Ayr as Frank and Amy Sherwood as Tess.[11][12]

The critic from The Sunday Times said that the play:

Is full of local color, from the opening scene, enacted in the Domain during the Commonwealth festivities, to the running of the Sydney Cup at Randwick. Some realistic Incidents are portrayed, including the burning of Keane's stables, and an attempt on the life of the Sydney Cup favorite: the trial of the hero on a false charge at the Central Criminal Court; a two-up school, in which the game is followed by a police raid; a house in Woolloomooloo, where Keane is imprisoned, and tho final settling at Randwick. Tho story is an interesting one, and being well interwoven with a sporting element, should appeal to a large section of playgoers.[13]

The Sydney Morning Herald was more guarded, stating that:

The production was far from well mounted, but it was well acted, and with better stage dressing would prove a decided draw. Although occasionally one's sense of probabilities was shocked during the stage unfolding of the story, on tho whole the play proved one of coherence, reasonably dramatic situations, and humour... The scenes in which boxing and two up wore presented were by no means convincing. The boxers gave a very poor display, devoid of cleverness, and the two-up episode and raid was a weak parody of the real thing... The authors must have been gratified with the storm of approval that arose near the conclusion of the drama from the great audience.[14]

The Evening News said the play "presents several stirring situations in a story which is fairly well-developed."[15]

Public response appears to have been enthusiastic[16] and there were further productions throughout the rest of the decade.[17][18]

Film production[edit]

Wright later said he suggested the story might make an ideal film to John Gavin, who specialised in making films about bushrangers, "believing that a racing film would be welcomed as a change... It would be a shame to mention the price offered [for rights to the play] and accepted, but as I thought the picture would enhance the sale of the book, as the drama had done, I had no kick comings."[5] Wright said he was paid on an instalment plan.[12]

Production of the film was announced in April 1911, with Stanley Crick and Herbert Finlay producing the movie in Sydney.[19]

There are sequences involving a boxing match and game of two-up, and the climax has Keane winning the Sydney Cup. During shooting racing authorities would not allow Randwick Racecourse to be used, so footage of a race in Western Australia, the Perth Cup, was used instead.[20][12]

Wright claimed "Mob scenes did not cost a great deal" with extras for th two up school ovtained by scouring by ways "and a crowd secured willing to act for. the fun of the thing."[12]

In 1927 Wright wrote "well known actors of the rank and file of those days filled the minor characters. Of those seen in the “still” of the doss-house scene at least two are long since dead."[12]

Authorities also refused permission to film at Darlinghurst Gaol, location for an important scene where the hero is released from prison. In order to get the shot, Gavin snuck into the prison along with tradesmen, then was filmed by his crew when exiting. Gavin also "stole" a shot involving Keane greeting a real-life well known barrister, without the barrister's knowledge.[5]

Reception[edit]

According to Arthur Wright, the film was released to "big business":

Wherever it was shown, box-office returns were a record for the times (prices 6d. and 3d. mostly). It packed the big tent show run, by the Mclntyres at North Sydney, where it was extensively advertised as- 'A great Australian sporting story by Nat Gould.' This, of course, in my modesty, I objected to, and dodgers were sent out with a correction, and the lecturer, Mr. Woods, who played the part of Dave Dyeball, the Domain Dosser, in the picture, apologised for the mistake; and made a eulogistic reference to the 'young Australian author' who was really responsible. Yes, someone made money out of 'K of K', and there should be money to be made again under the altered conditions with a talkie, with the racecourse as a background. The author gained but little from his offspring, except experience and a measure of amusement from participation in what was a new diversion.[5]

"The film made money for someone" he also wrote.[12]

References[edit]

  1. ^ a b "Wonderland Pictures". Mildura Cultivator. Vic.: National Library of Australia. 2 September 1911. p. 8. Retrieved 27 September 2014.
  2. ^ "Advertising". The Sunday Times. Sydney: National Library of Australia. 26 August 1917. p. 21. Retrieved 3 October 2013.
  3. ^ "Advertising". Newcastle Morning Herald and Miners' Advocate. National Library of Australia. 31 August 1911. p. 8. Retrieved 27 September 2014.
  4. ^ "KEANE OF KALGOORLIE". The Referee. Sydney: National Library of Australia. 31 October 1906. p. 6. Retrieved 27 September 2014.
  5. ^ a b c d "To Pana's Page on Passing and Past Shows". The Referee. Sydney: National Library of Australia. 1 July 1931. p. 24. Retrieved 13 September 2014.
  6. ^ "A MODEST NOVELIST". The Barrier Miner. Broken Hill, NSW: National Library of Australia. 23 February 1914. p. 7. Retrieved 27 September 2014.
  7. ^ "VILLAINY UNMASKED". The Advertiser. Adelaide: National Library of Australia. 7 December 1907. p. 15. Retrieved 27 September 2014.
  8. ^ "KEANE OF KALGOORLIE". The Referee. Sydney: National Library of Australia. 15 April 1908. p. 11. Retrieved 27 September 2014.
  9. ^ "THE AUTHORSHIP OF "KEANE OF KALGOORLIE."". The Sunday Times. Sydney: National Library of Australia. 22 November 1908. p. 2. Retrieved 27 September 2014.
  10. ^ "THE STRUTTER'S PAGE". The Newsletter: an Australian Paper for Australian People. Sydney: National Library of Australia. 14 March 1908. p. 3. Retrieved 27 September 2014.
  11. ^ "THE HAYMARKET HIPPODROME". The Sydney Morning Herald. National Library of Australia. 18 April 1908. p. 14. Retrieved 27 September 2014.
  12. ^ a b c d e f "Australian Moving Pictures. An Industry Which Has Failed to Grow Up. Some Reminiscences.", Everyones., 6 (357 (5 January 1927)), Sydney: Everyones Ltd, nla.obj-576826185, retrieved 26 February 2024 – via Trove
  13. ^ "HAYMARKET HIPPODROME". The Sunday Times. Sydney: National Library of Australia. 19 April 1908. p. 2. Retrieved 27 September 2014.
  14. ^ "POLITICIAN AND PLAYWRIGHT". The Sydney Morning Herald. National Library of Australia. 20 April 1908. p. 3. Retrieved 27 September 2014.
  15. ^ ""KEANE OF KALGOORLIE."". The Evening News. Sydney: National Library of Australia. 20 April 1908. p. 8. Retrieved 27 September 2014.
  16. ^ "HAYMARKET HIPPODROME". The Sunday Times. Sydney: National Library of Australia. 26 April 1908. p. 2. Retrieved 27 September 2014.
  17. ^ "NEW PLAY BY AN AUSTRALIAN AUTHOR". The Mail. Adelaide: National Library of Australia. 5 August 1916. p. 6. Retrieved 24 February 2012.
  18. ^ "Advertising". Sunday Times. Perth: National Library of Australia. 28 December 1919. p. 8 Section: First Section. Retrieved 24 February 2012.
  19. ^ "GENERAL GOSSIP". The Referee. Sydney: National Library of Australia. 12 April 1911. p. 16. Retrieved 3 October 2013.
  20. ^ Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998 p19

External links[edit]

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