Music printed in England before 1660

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Handlist of publications of, or about, music printed in England before 1660. If a work is undated the date is italicised. The handlist does not give every detail about the publications (that information can be found elsewhere) but presents an overview of music publishing in England. The 1557 London Charter limited printing to members of the London Company of Stationers[1] and this was strengthened and further enforced in 1566.[2] (Byrd and Tallis were granted their patent on 22 January 1575).[3]

For ease of sorting composer names are entered surname first. The Short Title Catalogue (STC) and English Short Title Catalogue (ESTC) numbers can be used to obtain more detail; search available from the British Library HERE

date short title author/composer publisher dedicatee location STC/ESTC#
1523 Broadside songsheets John Rastell London
1563 whole pslames in foure partes, which may be song to al musicall instruments, The London
1621 [Sternhold and Hopkins Psalter] Ravenscroft, Thomas London
1568 Briefe and easye instruction to learne the tablature, A Le Roy, Adrian Adrian Le Roy London By Ihon Kyngston for Iames Roubothum and are to be solde at hys shope in Pater noster row 15486/S104017
1574 Briefe and plaine Instruction to set all Musicke, A Le Roy, Adrian Adrian Le Roy Edward Seymour, Earl of Hertford London By [Ihon Kyngston for] Iames Roubothum and are to be solde at hys shope in Pater noster row 15487/S106692
1621 Courtly masking ayres for violins, consorts and cornets Adson, John George Villiers, Duke of Buckingham London
1588 Psalms of David in meter, The Alison, Richard London
1606 howres recreation in musicke, An Alison, Richard Sir John Scudamore London
1599 Psalmes of David in Meter, The Alison, Richard Anne, Countess of Warwick London
1615 Sacred hymns of 3. 4. 5. and 6. parts for voyces and vyols Amner, John William, Earl of Bath London
1622 First booke of ayres of foure parts, The Attey, John Lord and Lady Bridgewater London
1596 A new Booke of Tabliture Barley, William Bridget, Countess of Sussex London
1596 Pathway to musicke, The Barley, William London
1598 Whole Booke of Psalmes, The Barley, William London
1604 First set of English madrigals, The Bateson, Thomas Sir William Norres London
1618 Second set of madrigals to 3. 4. 5. and 6. voices Bateson, Thomas Arthur, Lord Chichester London
1584 A briefe introduction to the true art of musicke Bathe, William London
1600 Brief introduction to the skill of song, A Bathe, William London
1599 Madrigalls to fowre voyces Bennet, John Ralph Assheton London
1631 Brief and short introduction of the art of musicke, A Bevin, Elway London
1594/5 Mass for 5 voyces Byrd, William London
1593/4 Mass for 4 voyces Byrd, William London
1588 Psalme, sonets and songs of sadness and pietie Byrd, William Sir Christopher Hatton London
1589 Songs of sundrie natures Byrd, William ?Sir Henry Carey/?The Earl of Worcester London
1589 Songs of sundrie natures (reprint) Byrd, William ?Sir Henry Carey/?The Earl of Worcester London
1589 Liber primus sacrarum cantionum quinque vocum [Cantiones Sacrae] Byrd, William Thomas East ?Sir Henry Carey/?The Earl of Worcester London
1589 Gratification unto Master John Case, A Byrd, William John Case London
1590 Psalme, sonets and songs of sadness and pietie (reprint) Byrd, William London
1591 Liber secundus sacrarum cantionum [Cantiones Sacrae] Byrd, William Thomas East London
1592 Mass for 3 voyces Byrd, William London
1599 Mass for 3 voyces Byrd, William London
1599 Mass for 4 voyces (reprint) Byrd, William London
1605 Gradualia, liber primus Byrd, William Henry Howard, Earl of Northampton London
1607 Gradualia, liber secundus Byrd, William London 4243.2
1610 Songs of sundrie natures (reprint) Byrd, William London
1610 Songs of sundrie natures (reprint) Byrd, William London
1610 Gradualia, liber primus (reprint) Byrd, William London
1610 Gradualia, liber secundus (reprint) Byrd, William London
1611 Psalms, songs and sonnets Byrd, William Francis Clifford, Earl of Cumberland/John, Lord Petre London
1612 Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls[4] Byrd, William; Bull, John; Gibbons, Orlando Hole, William (engraver); G Lowe (printer) The Princess Elizabeth/Dorothy Evans/The Elector Palatinate London (sold at Lowe's house in Loathberry)
1575 Cantiones quae ab argumento sacrae vocantur Byrd and Tallis Thomas East London
1607 Description of a maske presented before the kings majestie at Whitehall…, The Campion, Thomas Theophilus, Lord Howard de Walden London
1613 Two books of ayres Campion, Thomas ?Henry, Lord Clfford/? Francis Clifford, Earl of Cumberland London
1613 New way of making fowre parts in counterpoint, A Campion, Thomas ?Henry, Lord Clfford/? Francis Clifford, Earl of Cumberland London
1613 Relation of the late royall entertainment given … Lord Knowles Campion, Thomas ?Henry, Lord Clfford/? Francis Clifford, Earl of Cumberland London
1614 Descriptin of a maske… earle of Somerset, The Campion, Thomas London
1618 Third and fourth booke of ayres, The Campion, Thomas ?Mr John Monson/? Sir Thomas Monson London
1586 The Praise of Musicke Case, John London
1598 14. ayres in tabletorie to the lute … and 8. Madrigalles to 5. Voyces Cavendish, Michael Lady Arabella Stuart London
1610 Ayres, to sing and play to the lute and basse viol Corkine, William Sir Edward Dymocke/Sir William Hardy/Edward Lord Herbert of Cherbury/Sir Robert and Sir Henry Rich London
1612 Second booke of ayres, The Corkine, William Elizabeth Cope/Ursula Stapleton London
1608 Musica Sacra … newly Englished Croce, Giovanni London
1611 Musica Sacra … newly Englished (reprint) Croce, Giovanni London
1592 Whole Book of Psalms, The Dowland, John London
1596 Lamentatio Henrici Noel Dowland, John London
1597 firste Booke of Songes or Ayres, The Dowland, John Sir George Carey London
1600 Second Book of Songes, The Dowland, John Lucy Harington, Countess of Bedford London
1603 Third and Last Booke of Songes or Aires, The Dowland, John Thomas Adams Mr John Zouch London, sign of the White Lion at St. Paul's Churchyard
1604 Lachrimae or seaven Tears Dowland, John Queen Anne of Denmark London
1612 Pilgrimes Solace, A Dowland, John Theophilus, Lord Howard de Walden London
1604 Madrigales to 3. 4. and 5. parts East, Michael Sir John Crofts London
1606 Second set of madrigaes, The East, Michael Sir Thomas Gerhard London
1610 Third set of books, The East, Michael Mr Henry Willoughby London
1618 Fourth set of books, The East, Michael London
1618 fift set of books, The East, Michael Robert Devereux, 3rd Earl of Essex London
1619 Fourth set of books, The (reprint) East, Michael London
1624 Sixt set of books, The East, Michael John, Bishop of Lincoln London
1592 Whole Booke of Psalmes, The East, Thomas Sir John Puckering London
1594 Whole Booke of Psalmes, The (reprint) East, Thomas London
1604 Whole Booke of Psalmes, The (reprint) East, Thomas London
1611 Whole Booke of Psalmes, The (reprint) East, Thomas London
1599 first set of english madrigals, The Farmer, John Edward de Vere, Earl of Oxford London
1598 Canzonets to fowre voyces, with a song of eight part Farnaby, Giles Ferdinando Heybourne London
1609 Ayres Ferrabosco, Alfonso ? Henry, Prince of Wales London
1609 Lessons for 1. 2. and 3. viols Ferrabosco, Alfonso ? Henry, Prince of Wales London
1629 French court-aires with their ditties Englished Filmer, Edward London
1624 Second Set of Madrigals, The Pilkington, Francis Sir Peter Leigh of Lyme London
1605 First Booke of Songs or Ayres, The Pilkington, Francis William Stanley, Earl of Derby London
1612 First set of madrigals and mottets, The Gibbons, Orlando Sir Christopher Hatton the younger London
1609 ? Gibbons, Orlando Mr Edward Wray London
1495 Policronicon Higden Wynkyn de Worde Westminster
1627 Ayres, or fa la's for three voyces Hilton, John Dr William Heather London
1597 Cittharn Schoole, The Holborne, Anthony Thomas, Lord Burgh London
1599 Pavans, Galliards, Almains[5] Holborne, Anthony William Barley Sir Richard Champernowne London
1605 First part of ayres, French, Polish, and others together, The Hume, Tobias William Herbert, Earl of Pembroke London
1607 Captain Humes poeticall musicke Hume, Tobias Queen Anne of Denmark London
1583 Seven sobs of a sorrowfull soule for sinne Hunnis, William Frances, Countess of Sussex London
1587 Seven sobs of a sorrowfull soule for sinne (reprint) Hunnis, William London
1597 Seven sobs of a sorrowfull soule for sinne (reprint) Hunnis, William London
1609 Seven sobs of a sorrowfull soule for sinne (reprint) Hunnis, William London
1615 Seven sobs of a sorrowfull soule for sinne (reprint) Hunnis, William London
1585 Musike of Six, and Five Partes Cosyn, John London
1606 Songs for the Lute Viol and Voice Danyel, John Anne Grene London
1611 XII Wonders of the world, The Maynard, John Lady Joan Thynne London
1651 English Dancing Master, The Playford, John London
1560-5 Certaine notes set for the in foure and three parts “Day's Service book”[6] Day, John John Day London over Aldersgate beneath S Martins
1600 First booke of songes and ayres of foure parts, The Jones, Robert Sir Robert Sidney London
1605 Ultimum vale Jones, Robert London
1608 ? Jones, Robert Henry, Prince of Wales London
1611 Muses gardin for delights, The Jones, Robert London
1597 First set of English madrigals, The Kirbye, George Anne and Francis Jermin London
1598 Novae aliquot et ante hac non ita usitate ad duas voces cantiones suavissime Lassus, Orlandus London
1614 Teares or lamentacions of a sorrowfull soule, The Leighton, Sir William London
1580 Defence of Poetry, Musick, and Stage Plays, A Lodge, Thomas London
1676 Musick's Monument Mace, Thomas London
1581 Booke of notes and common places, A Marbeck, John London
1618 Ayres that were sung and played at Brougham Castle, The Mason, George and Earsden, John Francis Clifford, Earl of Cumberland London
1652 Lute's Apology for her Excellency, The Mathew, Richard London
1535 Goostly Psalmes and Spirituall Songes Coverdale, Miles London
1593 Canzonets, or little short songs to three voyces Morley, Thomas Mary Sidney, Countess of Pembroke London
1594 Madrigalls to foure voyces newly published Morley, Thomas Sir John Puckering London
1595 Firste booke of canzonets to two voyces, The Morley, Thomas Lady Periam London
1595 First booke of ballets to five voyces, The Morley, Thomas Sir Robert Cecil, Earl of Salisbury London
1597 Canzonets or little short aers to five and six voyces Morley, Thomas Thomas, Lord Burgh London
1597 Canzonets or little short songs to four voyces Morley, Thomas Sir George Carey London
1597 Plaine and Easie Introduction to Practicall Musick, A Morley, Thomas Thomas East William Byrd London
1598 Madrigals to five voyces Morley, Thomas London
1599 First Booke of Consort Lessons, The Morley, Thomas Thomas East Sir Stephen Some London
1600 Madrigalls to foure voyces newly published (reprint) Morley, Thomas London
1600 First booke of ballets to five voyces, The (reprint) Morley, Thomas Ralph Bosvile London
1600 First booke of Ayres, The Morley, Thomas London
1601 Madrigales. The triumphes of Oriana Morley, Thomas London
1601 Madrigales. The triumphes of Oriana (reprint) Morley, Thomas Charles Howard, Earl of Effingham London
1602 Canzonets, or little short songs to three voyces (reprint) Morley, Thomas London
1603 Madrigales. The triumphes of Oriana (reprint) Morley, Thomas Charles Howard, Earl of Effingham London
1606 Canzonets, or little short songs to three voyces (reprint) Morley, Thomas London
1619 Firste booke of canzonets to two voyces, The (reprint) Morley, Thomas London
1631 Canzonets, or little short songs to three voyces (reprint) Morley, Thomas London
1581 Positions... Mulcaster, Richard London
1588 Banquet of daintie conceits, A Munday, Anthony London
1594 Songs and psalms composed into 3. 4. And 5. Parts Mundy, John Robert Devereux, 2nd Earl of Essex London
1613 Prime musiche nuove Notari, Angelo London
1620 Fantasies of III Parts Gibbons, Orlando Thomas Adams London, sign of the White Lion at St. Paul's Churchyard
1609 Micrologus, or introduction … trans. John Dowland Ornithoparcus, Andreas Sir Robert Cecil, Earl of Salisbury London
1620 Private musicke, or the first booke of ayres and dialogues Peerson, Martin Sara Hart/Holder London
1630 Mottects or grave chamber musique Peerson, Martin Robert Greville, Lord Brooke London
1609 Lessons for Consort... Rosseter, Philip Sir William Gascoyne London
1613 First set of madrigals and pastorals, The Pilkington, Francis Sir Thomas Smith London
1632 Madrigales and ayres Porter, Walter John, Lord Digby London
1609 Pammelia Ravenscroft, Thomas London
1609 Deuteromelia (The Seconde Part of Musicks Melodie) Ravenscroft, Thomas London
1611 Melismata Ravenscroft, Thomas Thomas and William Ravenscroft London
1614 Briefe Discourse of the True (but Neglected) Use of Charact'ring the Degrees, A Ravenscroft, Thomas The College of Gresham's London
1614 Briefe discourse, A Ravenscroft, Thomas London
1618 Pammelia reprint Ravenscroft, Thomas London
1621 Whole Booke of Psalmes, The Ravenscroft, Thomas London
1557 Songes and Sonettes (Tottel's Miscellany) Tottel, Richard London
1610 Musicall Banquet, A Dowland, Robert Thomas Adams Sir Thomas Monson/ Sir Robert Sidney London, sign of the White Lion at St. Paul's Churchyard
1610 Varietie of Lute Lessons Dowland, Robert Thomas Adams London, sign of the White Lion at St. Paul's Churchyard
1615 Sacred Hymns Tailour, Robert Richard Martin London
1603 Schoole of Musicke, The Robinson, Thomas ?Thomas Cecil, Earl of Exeter/?Sir William Cecil, Viscount Cranborne/?King James I London
1609 New citharen lessons Robinson, Thomas ?Thomas Cecil, Earl of Exeter/?Sir William Cecil, Viscount Cranborne London
1609 Lessons for consort Rosseter, Philip London
1601 Booke of ayres, A Rosseter, Philip; Campion, Thomas Sir Thomas Monson London
1638 Paraphrase upon the Divine Poems, A Sandys, George London
1648 Paraphrase upon the Divine Poems, A (reprint) Sandys, George London
1547-9 Certayn Psalmes Sternhold, Thomas Thomas Sternhold London
1549 Al such psalmes of Dauid as Thomas Sternehold ... didde in his life time draw into English Metre Sternhold, Thomas (& Hopkins, John) Thomas Sternhold Geneva
1562 Whole Booke of Psalmes, Collected into English Meter, The Sternhold, Thomas & Hopkins, John John Day London
1615 Sacred Hymns Tailour, Robert London
1622 Songs of 3. 4. 5. & 6. Parts Tomkins, Thomas William Herbert, Earl of Pembroke London
1619 First set: being songs of divers ayres and natures, The Vautor, Thomas George Villiers, Duke of Buckingham London
1613 First set of English madrigals, The Ward, John Sire Henry Fanshawe London
1598 Balletts and madrigals to five voyces, with one to 6 Weelkes, Thomas Edward Darcye London
1600 Madrigals of 5. and 6. parts Weelkes, Thomas George Brooke/Baron Stanwell London
1608 Ayres or phantasticke spirites Weelkes, Thomas Lord Denny London
1598 The first set of English madrigals Wilbye, John Sir Charles Cavendish London
1609 Second set of madrigals to 3. 4. 5. and 6. parts Wilbye, John Lady Arabella Stuart London
1624 Hymnes and songs of the church, The Wither, George and Gibbons, Orlando London
1597 Musica transalpina. The second booke of madrigalles Yonge, Nicholas London
1608 Canzonets to three voyces Youll, Henry Nicholas, Philip, Nathaniel, Lionel Bacon London
1597 Madrigals to 3. 4. 5. And 6. Voyces Weelkes, Thomas George Philpot London
1614 Parthenia Inviolata, or Mayden-Musicke for the Virginalls and Bass-Viol anon Hole, William (engraver); G Lowe (printer) London
1613 Psalmes and hymnes of praier and thanksgiving Barlow, William London
1606 Booke of ayres with a triplicitie of musicke Bartlet, John Edward Seymour, Earl of Hertford London
1616 Davids musick Bernard, Richard London
1601 Madrigals to five voyces Carlton, Richard Thomas Fermor London
1588 Apologia musices Case, John London
1606 Funeral teares for the death of the right honorable the Earl of Deveonshire Cooper, John Lord Mountjoy, Earl of Devonshire London
1613 Songs of mourning: bewailing the untimely death of Prince Henry Cooper, John Henry, Prince of Wales London
1579 Psalmes of David in English Meter, The Daman, William London
1591 Former Booke of the Musicke of M William Damon, The Damon, William London
1591 Second Booke of the Musicke, The Damon, William London
1570 Boke of very godly psalms and prayers, A Edwardes, Roger London
1591 Divers and sundrie waies of two parts in one Farmer, John London
1587 Lamentations of Jeremie, The Fetherstone London
1607 Musicke of sundrie kindes, set forth in two books Ford, Thomas Sir Richard Tichborne/Sir Richard Weston London
1604 Songes of sundrie kindes Greaves, Thomas Sir Henry Pierrepoint London
1565 courte of vertu, The Hall, John London
1609 Ayres to be sunge to ye Lute, and Base vylose (unpublished) Handford, George Henry, Prince of Wales London
1601 Second booke of songs and ayres, The Jones, Robert Sir Henry Leonard London
1610 ? Jones, Robert Lady Wroth London
1607 First set of madrigals, The Jones, Robert Sir Robert Cecil, Earl of Salisbury London
1609 Musicall dreame, or the fourth booke of ayres Jones, Robert Sir Henry Leventhorpe London
1570 Recueil du melange d’Orlande de Lassus Lassus, Orlandus London
1613 First set of madrigals of 5. parts Lichfield, Henry Lady Cheney London
1567 whole psalter translated into English, The Tallis, Thomas & Parker, Mathew London
1590 First sett, of Italian madrigals Englished, The Watson, Thomas Robert Devereux, 2nd Earl of Essex London
1571 Songs of three, fower and five voyces Whythorne, Thomas London
1590 Duos, or songs for two voyces Whythorne, Thomas London
1588 Musica Transalpina Yonge, Nicholas Gilbert Talbot, Earl of Shrewsbury London
date short title author/composer publisher dedicatee location STC/ESTC#

References[edit]

  1. ^ Maximilian von Habsburg, Catholic and Protestant Translations of the Imitatio Christi, 1425–1650: From Late Medieval Classic to Early Modern Bestseller, (Routledge, 2016), note 81
  2. ^ Cyndia Susan Clegg, Press Censorship in Elizabethan England (Cambridge, CUP, 2004), 56ff.
  3. ^ Fenlon & Milsom 1984, 139-40
  4. ^ First keyboard collection printed in England
  5. ^ The first work of music for instruments rather than voices to be printed in England
  6. ^ Originally believed to have been two editions, but Nixon 1984 shows this was an extended single-impression.

Bibliography[edit]

  • Tessa Murray, Thomas Morley: Elizabethan Music Publisher (Woodbridge, Suffolk, 2014)
  • R. Rasch, Music Publishing in Europe 1600-1900: Concepts and Issues Bibliography, Musical Life in Europe 1600-1900 : Circulation, Institutions, Representation (2005)
  • Jeremy L. Smith, Thomas East and Music Publishing in Renaissance England (2003)
  • R. Gameson and others, The Cambridge History of the Book in Britain: 1557-1695, Cambridge Histories Online (1998)
  • Jeremy L. Smith, ‘The Hidden Editions of Thomas East’, Notes, 53/4 (1997), 1059–91
  • A. W. Pollard and G. R. Redgrave, editors: A Short-Title Catalogue of Books Printed in England, Scotland and Ireland, and of English Books Printed Abroad 1475–1640. Second edition, revised and enlarged, begun by W. A. Jackson and F. S. Ferguson, completed by K. F. Pantzer. London: The Bibliographical Society. Vol. I (A–H). 1986. Pp. 620. Vol. II (I–Z). 1976. Pp. 504. Vol. III (Indexes, addenda, corrigenda). 1991. Pp. 430.
  • Donald W. Krummel and Stanley Sadie, eds., Music Printing and Publishing (London, 1990)
  • Howard M Nixon, 'Day's Service Book, 1560-65' Electronic British Library Journal, 1984
  • Iain Fenlon and John Milsom, ‘“Ruled Paper Imprinted”: Music Paper and Patents in Sixteenth-Century England’, Journal of the American Musicological Society, 139 (1984).
  • David. C Price, Patrons and Musicians of the English Renaissance (Cambridge, CUP, 1981) [NB There were numerous errors or ambiguities in Price's lists, which have been disamiguated where possible, but some problems remain]
  • Wing: Short-Title Catalogue of Books Printed in England, Scotland, Ireland, Wales, and British America, and of English Books Printed in Other Countries, 1641–1700 by Donald Goddard Wing
  • Donald W. Krummel, English Music Printing 1553-1700 (London, 1975)
  • Donald W. Krummel, Guide for Dating Early Published Music: A Manual of Bibliographical Practices (Hackensack and Kassel, 1974)
  • C. Humphries and W.C. Smith, Music Publishing in the British Isles: From the Beginning until the Middle of the Nineteenth Century; a Dictionary of Engravers, Printers, Publishers, and Music Sellers, with a Historical Introduction (1970)
  • R. Steele, The Earliest English Music Printing: A Description and Bibliography of English Printed Music to the Close of the Sixteenth Century. London, Printed for the Bibliographical Society at the Chiswick Press, 1903, Illustrated Monographs (1903).