March (Deulgukhwa album)

From Wikipedia, the free encyclopedia
March
Studio album by
ReleasedSeptember 10, 1985
VenueSeoul Studio
GenreHard Rock
Length44:25
LabelSeorabeol Records
ProducerDeulgukhwa
Deulgukhwa chronology
March
(1985)
You and I
(1986)

March is the debut studio album of South Korean rock band Deulgukhwa, released on September 10, 1985, and reissued on CD in 1991. The album is considered to have opened the 'new music beginning of the 80's' and the 'renaissance of Korean pop music in the mid and late 80's'.[1] It received 207 points from 45 selection committee members[1] and ranked first in the Top 100 Korean Popular Music Albums selected by the Kyunghyang Shinmun in 2007.[2] About 1.8 million albums It is estimated to have been sold.[3]

March is the band's only album to feature their original lineup, with guitarist Jo Deok-hwan leaving prior to their sophomore album.[4]

Production and recording[edit]

The album took about 1–2 months to record, with 24 tracks recorded as a multi-track recording. Cassettes were mainly used to compose songs.[5] March is the first 16-channel recording in Korea.[6] Joo Chan-kwon and Choi Goo-hee, who were active in a different band at the time, participated in the recording as session musicians.[7] The two would officially become Deulgukhwa members with the release of their second album, You and I.

"March" was written and composed by Jeon In-kwon and arranged by Choi Seong-won and Huh Seong-wook.[5] Jeon In-kwon is the producer urged him to compose at the very end, and said, "It's not music, it's an album made with hard work."[3] "Seongwon Choi composed 〈That's Only My World〉, which was created before the album was produced, "No More To Me", and "Everyday With You", which expressed his feelings while in the military or immediately after being discharged.[5] A year prior, the songs were featured in the compilation Our Song Exhibition I by Jeon In-kwon and Kang In-won, respectively in the compilation Our Song Exhibition I a year before the release of this album.[8]

Cho Deok-hwan composed "Train to the World", "Until the Morning Rises", and "Bless You". "Train to the World" was made two months before the release of the first album, and it expresses the mind of a young man waiting for the 1988 Seoul Olympics.[9] He said that "Until the Morning Comes" contains "a desire for an ideal image of a woman because the concept of the content is a man's song.[10] "Congratulations" expresses the emotion of sending his older brother away as a diplomat or consul when he was in his 20s.[7]

Instead of using wholesome songs that are normally included in albums released at the time, the band sang "Our Wish" a cappella and recorded it.[11] The song was not included on the album's 1991 reissue CD.[8]

Cover[edit]

The front of the cover is a homage to Let it Be, the last studio album of the Beatles.[12] In 2003, Choi Seong-won, in answer to a question asking if his relationship with Jeon In-kwon was similar to Lennon-McCartney, said that this was made from Jeon In-kwon's idea.[5]

There is no choice but to be different from the real story on the outside. Comparisons with Lennon and McCartney are just comparisons. However, it is true that John Lennon was originally liked by (former) In Kwon, and I liked Paul McCartney. It was (Jeon) In Kwon's idea that the covers of the 1st album were made like the Beatles' Let It Be.

However, in an interview with IZM in 2011, Jo Deok-hwan said that he did not have Let It Be in mind.[10]

We just went to Samcheong-dong and took 4 photographers, and it came out that way (laughs), nothing like that was intentional. As far as I know, at that time, bands were generally composed of 4 people, and there were many albums like that. It wasn't aimed at Let It Be, but the public thinks so.

Assessment and legacy[edit]

Professional ratings
Review scores
SourceRating
Wave[8]
IZM(alum)[13]

March has received critical acclaim over the years. Hwang Jeong-eun of Serve magazine said about the album, "Jeon In-kwon's screams in "That's My World", Choi Seong-won's emotional voice in "Everyday With You", Huh Seong-wook's restrained keyboard, and Jo Deok-hwan in "Until the Morning Rises". 's song writing and the best session men at the time, such as Choi Gu-hee, Joo Chan-kwon, Lee Won-jae, etc., all of these things show how thoroughly this album was made with the sensibility of live for live with the senses and capabilities of a singer-songwriter."[14]

Imjinmo of IZM praised the album, saying, "The album revealed the revival of Korean rock. At the same time, it was a sign of victory for a local band and a confirmation of the possibility of non-mainstream music. It is a work that should be placed at the top of legends."[13] Critic Choi Ji-ho wrote, "Not only Deulgukhwa but any musician after them. The Korean popular music renaissance of the late 80's may have been signaled that it was the start of this album."[15] Lee Yong-woo of popular music webzine 《Wave》 said, "This album is a masterpiece that has all the artistry that a studio album can have, such as composition, arrangement, performance, and recording, as befits the evaluation as one of the best albums in Korean popular music." I rated it 10 out of 10.[8]

March is considered to have taken Korean rock music to the next level and also acted as a catalyst that exploded the underground.[16][17] Naver's Korean Popular Songs Album 6000 said, "After the release of Deulgukhwa's 1st album, numerous musicians called today's masters appeared one after another as if they were hiding somewhere and popped out. They released albums with diversity and completeness. While doing so, the 'Renaissance of Korean popular music', in which mainstream hit songs and author-oriented album music coexisted, opened. If you include artistic quality and musical ripple effect, Deulgukhwa's 1st album can be regarded as the beginning of new rock music in the 1980s." did.[18]

In 2023, "That's My World" was included on Rolling Stone's "100 Greatest Songs in the History of Korean Pop Music" as #47.[19]

Track listing[edit]

Side A
No.TitleWriter(s)Length
1."Marching"Jeon In-kwon5:09
2."That's My World"Choi Seong-won5:30
3."Train to the World"Jo Deok-hwan3:18
4."No More to Me"Choi Seong-won3:49
5."Bless You"Jo Deok-hwan4:19
Total length:22:08
Side B
No.TitleWriter(s)Length
1."Just Love"Choi Seong-won5:27
2."Everyday With You"Choi Seong-won5:30
3."A Sunday Only Had Afternoon"Lee Byung-woo3:18
4."Until the Morning Rises"Jo Deok-hwan3:49
5."Our Wish" (hidden track) 1:50
Total length:22:17

Personnel[edit]

Deulgukhwa
  • Jeon In-kwon – vocals, acoustic guitar
  • Choi Seong-won – Vocals, Bass, Acoustic Guitar, Synthesizer
  • Jo Deok-hwan – vocals, guitar, acoustic guitar
  • Heo Seong-wook – piano, synthesizer
Additional musicians
  • Joo Chan-kwon – Drums
  • Choi Goo-hee – Guitar
  • Lee Won-jae – clarinet
Production
  • Young Kim – Producer
  • Choi Se-young – Recording Engineer
  • Kim Woo-hwan – Cover art
  • Lee Je Rak – Cover Design
  • Kim Jeong-soo – Cover photos

References[edit]

  1. ^ a b "제목=대중음악 100대 명반 '들국화'1위 출판사=경향신문" (in Korean). 2007-08-23.
  2. ^ Park Jae-chan (2007-08-23). "[커버스토리]대중음악 100대 명반 '들국화'1위" (in Korean).
  3. ^ a b "남들과 다른 길 택한 이들, 전설이 되다". Chosun Ilbo. August 12, 2015.
  4. ^ Park Jun-heom (August 23, 2007). "들국화의 탄생과 데뷔앨범".
  5. ^ a b c d "들국화의 브레인, 드디어 입을 열다". 12 November 2012.
  6. ^ "Kim Young "The best musician is Hyunsik Kim"". Segye Daily. 2005-11-18.
  7. ^ a b "들국화 "다시 뭉쳐 골프치듯 음악하고 싶어"". Yonhap News. February 22, 2011.
  8. ^ a b c d "들국화 | 들국화 I(행진/사랑일 뿐이야) (19850910)". March 10, 2003.
  9. ^ "전설의 록밴드 '들국화' 前멤버 조덕환 인터뷰". Yes24.
  10. ^ a b "조덕환 인터뷰". March 2011. Archived from the original on 2016-11-09.
  11. ^ "Deulgukhwa". Doosan Encyclopedia.
  12. ^ Lee Yong-woo (21 January 2007). "TV 주류음악 맞서 언더음악 '우뚝'". The Hankyoreh.
  13. ^ a b Im Jin-mo (March 2006). "Wild Chrysanthemum Vol.1".
  14. ^ "【Topic】Top 100 Korean Pop Albums". Segye Ilbo. June 1, 2005.
  15. ^ "들국화-행진/사랑일뿐야".
  16. ^ "[커버스토리]들국화의 탄생과 데뷔앨범". August 23, 2007.
  17. ^ "[8090 이 노래 이 명반] 5. 들국화 1집, 전인권 1집". July 29, 2015.
  18. ^ "들국화 데뷔앨범".
  19. ^ "The 100 Greatest Songs in the History of Korean Pop Music". Rolling Stone. July 20, 2023.