Eliza Anne Leslie-Melville
Eliza Anne Leslie-Melville, or Melville, (nee Smallbone; 17 March 1829 - July 1919) was a British painter in oils of genre and portraits. She became known as a painter in 1854 and continued to paint until 1900. She is celebrated for her portrait Queen Victoria.
Life[edit]
Eliza Anne Melville, or Leslie-Melville, (née Smallbone)[1] was born on 17 March 1829 in Brighton,[2] Sussex, England. She was daughter to James Smallbone and Frances Barrow.
She married Alexander Melville, a painter, in 1855.[3] During the years 1864-1874 they lived at No.34 Fitsroy Square, London. In 1890 they returned to Fitsroy Square, No. 6, where they lived until her husband died in 1892.[4] After the death of her husband she moved to 49 Portsdown Road, Paddington and began to use the name Leslie-Melville.[5] They had three daughters.[6] Two of which became painters.[5]
She wrote a book, $2000 Reward, which was published in 1871. By this time her husband had become deaf.
Mrs. Alexander Melville, who enjoys some considerable reputation as a painter, has brought out for this holiday season a children's book - Lloyd's Weekly Newspaper[7]
She wrote in the preface why, as an artist, she ventures ‘to appear before the public as an authoress’. Her book was inspired by a young boy she noticed while walking on the street. She approached his mother and the rest of his family who ‘from the character of the whole,’ it occurred to her ‘would make a good subject for a picture’. She asked the mother to bring her children and visit her. The mother and her children visited and Melville was ‘more than ever pleased with the romantic little boy’ who subsequently often sat for her. Melville became ‘much attached’ to her ‘little friend’ who later fell ill and, with Melville at his bedside, died. The story written in the book was adjusted to give a happier ending.[8]
At the end of the book Melville invited readers who may be interested in art to visit her studio in Fitsroy Square. She advertised she was ‘very successful in painting posthumous portraits’. This advert is followed by several pages of press reviews relating to her paintings, illustrations and portraits.[8]
She died, aged 90, in Brentford[9] and was buried on 29 July 1919 in Camden, London.[10]
Career[edit]
She was an oil painter of genre and portraits.[11] She became known as a painter in 1854 and continued to paint until 1900.[1] One of her most celebrated works is a portrait, Queen Victoria, which she gifted to the Royal United Services Institute, "RUSI", in 1909.[12] It is one of three paintings by women in the RUSI collection.
This portrait of Queen Victoria is important because of her [Queen Victoria's] patronage and because it’s painted by a woman. – Jacqui Grainger, RUSI[12]
She exhibited in the principal galleries during the years 1854–1868. At first, 1854–1855, her speciality was landscapes and she exhibited at the Royal Academy, the Society of British Artists[13] and twice at the British Institution under the name Smallbone.[14] She then continued to exhibit at the Royal Academy until 1868[15] under the name Melville.[11]
During the mid-1860s, Melville and her husband jointly painted ‘one of the largest works ever’:[16] Presentation of the Freedom of the City to the Prince of Wales. A piece depicting Albert Edward, Prince of Wales taking up the Freedom of the City of London, on 8 June 1863.[17] In 1866 The Morning Post reported that the painting was ‘progressing rapidly under the hands of the skilful artists, Mr. and Mrs. Alexander Melville, who are now daily engaged on the work at Guildhall.’[18] When completed, The Morning Post reported the painting had "been viewed and very greatly admired by the Queen", and "her Majesty the Queen of Prussia"[19] and had "been taken to Windsor Castle".[17] The painting embodied more than 450 portraits and took five years to complete.[20] It was exhibited publicly in July 1868.[21] However, the Corporation of London declined to purchase it and awarded 300 guineas as recompense.[22] In 1872 the Melvilles commenced proceedings to recover £4,950 for the picture. The following year the case of Melville v. Corporation of London went to court.[23] The Melvilles were unsuccessful. It was ruled there was no contract between the parties.[20]
In 1870 she was noted as ‘a lady artist of rising celebrity’. She held an exhibition at her home of paintings and illustrative passages of Scripture relating to the Spiritual World. The Exmouth Journal noted "They merit public notice on account of the originality of conception."[24]
Despite the previous lawsuit her association with royalty continued. In 1877 several works that were exhibited by command to the Queen at Windsor Castle were ‘on view at Mr. and Mrs. Alexander Melville Art Exhibition’ at Portman Square.[25] And in 1880 she ‘had the honour of submitting to Her Majesty's inspection at Windsor Castle a picture painted by her’.[26]
In 1885 an exhibit of ‘Pictures by Alexander Melville and Eliza A. Melville’,[27] a collection of studies and paintings,[28] was held at the recently opened[29] McQueen's Gallery, Tottenham Court Road. In the same year Melville, whose works were 'not unknown in Alnwick’,[30] showed, together with works by her husband, at an exhibition in Alnwick, Northumberland.
Collections[edit]
- Beecroft Art Gallery
- National Army Museum
- Bushey Museum and Art Gallery
- The Royal United Services Institute for Defence and Security Studies
References[edit]
- ^ a b A Checklist of Painters, C1200-1994 Represented in the Witt Library, Courtauld Institute of Art, London. Taylor & Francis. 1995. p. 340. ISBN 9781884964374.
- ^ England, Select Births and Christenings, 1538-1975, ancestry.co.uk
- ^ Church of England Marriages and Banns, 1754-1932, ancestry.co.uk
- ^ "Fitzroy Square". British History Online. Archived from the original on 2 May 2015. Retrieved 23 February 2020.
- ^ a b Census Returns of England and Wales, 1901. Kew, Surrey, England: The National Archives, 1901
- ^ The National Archives of the UK (TNA); Kew, Surrey, England; Census Returns of England and Wales, 1891
- ^ Lloyd's Weekly Newspaper, Sunday 31 December 1871
- ^ a b L. Melville, Eliza Alex (1871). $2,000 reward. London: Dean & Son. pp. v - x and 177–184.
- ^ England & Wales, Civil Registration Death Index, 1916-2007, ancestry.co.uk
- ^ "Burial Register Summary". Deceased Online. Retrieved 23 February 2020.
- ^ a b Wood, Christopher (1995). Victorian Painters: The text. Antique Collectors' Club. p. 350. ISBN 9781851491711.
- ^ a b Grainger, Jacqui. "Women, the Institute and the Collections". RUSI. Archived from the original on 7 June 2019. Retrieved 22 February 2020.
- ^ Petteys, Chris (1985). Dictionary of Women Artists: an international dictionary of women artists born before 1900. G.K. Hall & Co.
- ^ Graves, Algernon (1884). A Dictionary of Artists who have exhibited in the Principal London Exhibitions of Oil Paintings from 1760-1880. London: George Bell and Sons. pp. 226.
- ^ Graves, Algernon (1906). The Royal Academy of Arts: a complete dictionary of contributors and their work from its foundation in 1769 to 1904, Volumes 5-6. London: Henry Graves and Co. Ltd. pp. 227.
- ^ Morning Post, Friday 10 July 1868
- ^ a b Morning Advertiser, Saturday 13 July 1867
- ^ Morning Post, Friday 23 November 1866
- ^ Morning Post, Saturday 13 July 1867
- ^ a b Welch, Charles (1896). Modern History of the City of London. London: Blades East & Blades. pp. 276 and 287.
- ^ London City Press, Saturday 4 July 1868
- ^ The Art Journal. London: Virtue & Co. 1868. pp. 38.
- ^ Morning Post, Friday 28 November 1873
- ^ Exmouth Journal, Saturday 19 March 1870
- ^ Globe, Saturday 13 January 1877
- ^ London Daily News, Friday 27 February 1880
- ^ "Exhibition Details". Exhibition Culture in London 1878-1908. Retrieved 23 February 2020.
- ^ Pall Mall Gazette, Thursday 11 June 1885
- ^ "McQueen's Gallery". London Gallery Project. Archived from the original on 11 August 2017. Retrieved 22 February 2020.
- ^ Alnwick Mercury, Saturday 29 August 1885