Wildlight (photo agency)

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Wildlight was an Australian photo agency operating from the 1980s and specialising in imagery of that country.

Establishment[edit]

The founders were partners Christina De Water[1][2] and Phil Quirk, with Carolyn Johns[3] who met Quirk as they photographed for Rick Smolan's A Day in the Life of Australia project during 1981–2.[4][5] De Water, Johns and Quirk, had discussions with these international photographers, many of whom were attached to photo agencies, as they passed through Sydney on their way to assignments, and realised an Australian agency could offer similar and better services to international magazines and publishers. In 1984 they met with Oliver Strewe[6] about forming such a cooperative, and in 1985 Wildlight Photo Agency opened at 165 Hastings Parade Bondi Beach, which was owned by George Carpenter a retired Sydney barrow man, where they stayed for 10 years. Subsequent offices were at 87 Gloucester Street, The Rocks, then finally Suite 14, 16 Charles St., Redfern.[7]

Photographers[edit]

The Wildlight team comprised Christina De Water, Manager; Photo Editors Rachael Knefper, joined in 1986 by Annette Cruger; while photographers were Carolyn Johns, Oliver Strewe and Philip Quirk,[8] joined later in 1985 by photographer Grenville Turner.[9] Other photographers connected as its reputation spread, among them Mark Lang,[10] Jason Busch,[11] Peter Solness,[12] Lorrie Graham,[13] Milton Wordley, and Ben Bohane,[14] while David Moore's[15] and Rennie Ellis’[16] colour archives were represented by Wildlight. Its offices welcomed visits from US photographers Gregory Heisler, Arnold Newman, Jay Maisel and UK magazine designer & art director, John Tennant.

Australian identity[edit]

An early promotional campaign pitched the agency as "the place for Real Australia in Pictures” and its business focused on promoting the character of the country. Over 1986/7 when global attention was being focused on Australia for its 1988 Bicentenary, Christina De Water traveled to show the photographers' portfolios to magazine editors in the UK, Germany, France, then the US, with an immediate response which boosted assignments for the agency's photographers. IBM commissioned a book[17] illustrated by the four original members and in conjunction with a film of the same name directed by Brian Morris.[9]

From 1990–2003 Quirk was Wildlight's managing director. As part of the agency's activities between 1997 - 2001 he managed and published Australian Faces & Places Diary, a showcase of Australian reportage & documentary photography of exclusively black-and-white imagery printed in warm duo-tone.[18]

Clientele[edit]

The Agency's photographs were published in numerous books, newspapers[19] and magazines[9] including The Sunday Times Magazine, The Observer Magazine (UK), Stern, Der Spiegel, GEO, Time, Newsweek and National Geographic, and also appeared in Australian publications and on Australian postage stamps[20][21] and first-day issues.[22] The Australian Tourist Commission used their imagery,[23] and in the mid-80s they provided the first photographic station identification imagery for the Australian Broadcasting Commission comprising 11 for each state & territory. Wildlight became an associate agency of Australian Associated Press (AAP),[24][25] contributing to its extensive stock photography library.[26]

Exikon[edit]

The agency, as a photographers' cooperative, was wound up on 13 December 2013, but the image collection is maintained by Andrew Stephenson.[27][25] From 2000 when the digital age took hold, he had been picture editor and photographers' agent at Wildlight and responsible for managing the analogue collection and its amalgamation with a growing digital image library, selection for clients, electronic dispatch, and for shifting the business online. As manager of Exikon Pty. Ltd. in Redfern, in 2003 he took over the picture library from Wildlight,[28] which he now operates with Ikosol, a specialist firm in digital asset management. As of 2020, former Wildlight manager Phil Quirk is archiving its assets.[citation needed]

References[edit]

  1. ^ [Christina de Water : Australian Art and Artists file], 1900, retrieved 16 February 2020
  2. ^ "About Christina de Water". Christina de Water Photography. Retrieved 16 February 2020.
  3. ^ "Carolyn Johns biography". Carolyn Johns. Retrieved 16 February 2020.
  4. ^ "A DAY IN THE LIFE OF AUSTRALIA". The Australian Women's Weekly. Australia. 18 November 1981. p. 1 (A DAY IN THE LIFE OF AUSTRALIA). Retrieved 15 February 2020 – via Trove.
  5. ^ Park, Andy; Smolan, Rick (1981), A day in the life of Australia, A Day in the life of Australia Pty Ltd, ISBN 978-0-9594244-0-9
  6. ^ Swinburne Graphic Design; Strewe, Oliver, 1950- (1900), Reading rewards: Jenny Kee : Jenny Kee is not only one of Australia's great fashion designers, she is also an avid reader, retrieved 16 February 2020{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  7. ^ Poehner, Donna (2008), 2009 photographer's market : where & how to sell your photographs, Writer's Digest ; Newton Abbot : David & Charles [distributor], ISBN 978-1-58297-546-7
  8. ^ Tourism New South Wales : Miscellaneous colour transparencies & photonegatives, ca. 1980-1992, 1980, retrieved 16 February 2020
  9. ^ a b c Yvette Steinhauer, 'Click go the shutters,' in The Age Good Weekend22 Jul 1988, p.84–90
  10. ^ Lang, Mark (1900), [Mark Lang : Art & Artist Files (Australia and New Zealand)], retrieved 16 February 2020
  11. ^ "Trove search results for 'Jason Busch' - Pictures, photos, objects". Trove. Retrieved 15 February 2020.
  12. ^ Job no. 12722: Portrait of photographer Peter Solness, November 1985 / photographs by Max Dupain, 1985, retrieved 16 February 2020
  13. ^ Graham, Lorrie (1991), Photographs of city life and farmers in NSW / by Lorrie Graham, 1991-1995, retrieved 16 February 2020
  14. ^ "Ben Bohane, Photographs in the collection". National Library of Australia. Retrieved 15 February 2020.
  15. ^ "Pride of place is wiped out by welfare". www.theaustralian.com.au. 23 September 2011. Retrieved 15 February 2020.
  16. ^ Ellis, Rennie (1999), Wildlight, Luna Park (amusement), Ackland Street St. Kilda. Vic, retrieved 16 February 2020
  17. ^ Morris, Brian; Wildlight Photo Agency (1988), Australia take a bow : the life, landscape and people, John Ferguson in association with Angus & Robertson, ISBN 978-0-949118-31-8
  18. ^ 'Mono Log,' in The Age, Saturday 6 Dec 1997, p.289
  19. ^ The Age, Saturday, 30 March 1985
  20. ^ "Australian Stamps 1992". raritycollectables.com. Retrieved 15 February 2020.
  21. ^ "Australian Stamp Catalogue". australianstrampcatalogue.com. 2003. Retrieved 15 February 2020.
  22. ^ Australian Stamp Bulletin No. 275 June–July 2004, p.14
  23. ^ Australian Tourist Commission (30 June 1996), "ATC Offices http://www.aussie.net.au. (30 June 1996)", Annual Report (216 of 1996), Commonwealth Govt. Print. Office: 63, ISSN 0728-7143
  24. ^ Shrivastava, K. M (2007), News agencies from pigeon to internet, New Dawn Press, p. 116, ISBN 978-1-932705-67-6
  25. ^ a b "14 Jun 2005 - About AAP - Archived Website". Trove. Archived from the original on 14 June 2005. Retrieved 15 February 2020.
  26. ^ American Society of Magazine Photographers (1990), ASMP stock photography handbook (2nd ed.), ASMP, retrieved 15 February 2020
  27. ^ Parker, B. (Brian), 1938- (2000), Geography for Australian citizens, Macmillan Education Australia, p. 38, ISBN 978-0-7329-6339-2{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  28. ^ "20 Jul 2008 - Wildlight | Real Australia in Pictures - Archived Website". Trove. Archived from the original on 19 July 2008. Retrieved 15 February 2020.
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