Yoeun Mek
Yoeun Mek (1939 - 2014) was a Cambodian musician who joined the Cambodian Master Performers Program (now Cambodian Living Arts) in 1999, an organization founded by his friend Arn Chorn-Pond to preserve Cambodian music, arts and rituals and keep traditional instruments from going extinct.[1] The program, in its quest to preserve Khmer music, sought out Cambodia's "nearly extinct instruments and the people who can make and play them."[2] 80-90% of the musicians of the country were "purged" by the Khmer Rouge from 1975 to 1979.[2] Out of the people who could play the traditional instruments to a high level, the Cambodian Master Performers Program estimated that only 100 to 200 musicians had survived the executions, which targeted almost everyone with an education, those who understood a foreign language, and many artists (including musicians, writers, and filmmakers).[3]
Yoeun, who had made his first tro sor when he was 15, was a "master" of the tro family of instruments, especially the tro sau thom and tro u.[4][1] He also knew enough about the khim, takhay, drums and chheng to include them in his teaching traditional wedding songs.[5]
In 1975, when the Khmer Rouge took over the capitol at Phnom Penh, he would have been about 36. His friend Arn would have been 9-years old that year. Both Yoeun and Arn were in the same Khmer Rouge work camp together; working in the fields by day, and playing music for the soldiers in the evening.[1] His friend may have saved his life by begging the soldiers to let Yoeun play with the small group that entertained them.[6] Rather than play traditional Cambodian music, Yoeun was permitted to play revolutionary music with communist themes: "the dances depict hardworking people, farmers working together, people digging canals and people laboring in the sun to fix railroad and so on."[5] Separately from the soldiers, Yoeun taught his friend traditional music that was forbidden by their government.[4]
After the fall of the Khmer Rouge in 1979, Yoeun worked for his country's new government, in the State Department of Art and Culture until he retired.[4] He set up a barbershop and was found by his friend Arn, who hired him to teach his instrument at the Cambodian Master Performers Program.[4]
References[edit]
- ^ a b c d e Morgan, Alan. "Yoeun Mek, 1939 - 2014".
- ^ a b Bugge, Joe (21 November 2003). "Masters struggle to save folk music traditions". Phnom Penh Post. Phnom Penh, Cambodia. Retrieved 19 June 2019.
- ^ "Teaching". Cambodian Master Performers Program. Archived from the original on 3 April 2005. Retrieved 19 June 2019.
- ^ a b c d "Listen to Cambodian Master Performers". pbs.org/pov. Retrieved 19 June 2019.
- ^ a b Mek, Yoeun. "Interviewing the Masters, Master Yoeun Mek". cambodianmasters.org. Cambodian Master Performers Program. Archived from the original on 16 August 2004. Retrieved 19 June 2019.
[Interview in which Yoeun Mek answered questions]
- ^ "Arn Chorn-Pond". Cambodian Master Performers Program. 18 November 1999. Retrieved 19 June 2019.
External links[edit]
- Picture of Yoeun Mek playing the tro so.
- Yoen Mek answered questions by 6th graders in Lowell, Massachusetts, 22 November 1999. The interview was conducted at Wat outside of Phnom Penh. Answers were provided by Arn Chorn-Pond, who translated.
- Yoeun Mek answered questions by 8th grade students in Lowell, Massachusetts. The interview, recorded in November of 2001 at Wat Bo in Siem Reap, was conducted by Chath pier Sath and Arn Chorn-Pond.
- Photo album of images of Yoeunn Mek by Alan Morgan.
- "Mai Boksroeur," featuring Yoeun Mek on the tror so fiddle, April 1999.
- "Khai Ronoch" featuring Yoeun Mek on the tror so fiddle, April 1999.