The Landscapes Within
| Author | Ben Okri |
|---|---|
| Country | Nigeria |
| Language | English |
| Genre | Fiction, political fiction, psychology |
| Publisher | Longman |
Publication date | January 1, 1981 |
| ISBN | 9780582785397 |
The Landscapes Within is a 1981 book by Nigerian writer Ben Okri and was published by Longman. The novel was set in Lagos, Nigeria, and delves the life of a young painter and his aspirations centred on the harsh reality of his work which the author wrote, "...continued to haunt him and trouble him through the years, because in its spirit and essence he sensed that it was incomplete."[1]
Plot summary[edit]
The book follows the journey of Omovo, an artist and painter whose inner landscapes mirror the complexities of his mind. The story unfolds an exploration of the significance behind the chosen title, The Landscapes Within, which symbolizes Omovo's internal struggles and triumphs. As Omovo grapples with the idea of his art becoming the hero of his own tale, in Ben Okri's novel, he encounters stolen, confiscated, and unfinished paintings that mirror his own incomplete journey. These artifacts serve as catalysts for Omovo's exploration of identity, creativity, and the meaning of art itself.[2]
Drawing inspiration from Milan Kundera's theories on unfinished stories and the power of the unachieved, Omovo embarks on a quest to reconcile the fragments of his artistic vision. Along the way, he encounters new categories of art proposed by Kundera, each challenging him to push the boundaries of his creativity. The story concludes with Omovo embracing the landscapes within, finding balance in the interconnectedness of art, philosophy, and the human experience. Through his journey, he discovers that true artistry lies not in the finished product but in the process of creation and exploration of the self.
Theme[edit]
- Identity and Self-Discovery: The protagonist's exploration of his own artistic journey serves as a metaphor for discovering one's identity and purpose in life.
- Creativity and Expression: The narrative delves into the importance of creativity and artistic expression as essential aspects of human experience, highlighting the transformative power of art.[3]
- The Unfinished and the Unachieved: Drawing from Milan Kundera's ideas, the theme of the unfinished story and unachieved goals underscores the characters' struggles with incompleteness and the quest for fulfilment.
- Interconnectedness of Art and Philosophy: The story explores how art and philosophy intersect and influence each other, emphasizing their complementary roles in understanding inner realities and existential questions.
- Power of Storytelling: Through Omovo's journey, the narrative underscores the potency of storytelling as a means of conveying complex philosophical concepts and exploring the depths of human emotion and experience.
- Inner vs. Outer Realities: The contrast between inner landscapes and external environments reflects the tension between personal introspection and external influences, raising questions about perception and subjective reality.
- The Process vs. the Product: The theme of artistic process versus the finished artwork highlights the importance of embracing the journey of creation and valuing the inherent value in exploration and experimentation.[4]
References[edit]
- ^ Makar, A. B.; McMartin, K. E.; Palese, M.; Tephly, T. R. (June 1975). "Formate assay in body fluids: application in methanol poisoning". Biochemical Medicine. 13 (2): 117–126. doi:10.1016/0006-2944(75)90147-7. ISSN 0006-2944. PMID 1.
- ^ "The Landscapes Within | novel by Okri | Britannica". www.britannica.com. Retrieved 2024-05-07.
- ^ Okri, Ben (1981). The Landscapes Within. Longman. ISBN 978-0-582-78539-7.
- ^ Gray, Rosemary A. (2013). "The creative imagination in Ben Okri's The Landscapes Within (1981)". English Academy Review. 30 (2): 21–30. doi:10.1080/10131752.2013.834683. hdl:2263/58412. ISSN 1013-1752.