The Letter (Cosa Brava album)
| The Letter | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 2012 | |||
| Recorded | June 2010, August 2011 | |||
| Studio | Chàteau de Faverolles, France; New Improved Recording, Oakland, California | |||
| Genre | ||||
| Length | 61:08 | |||
| Label | Intakt (Switzerland) | |||
| Producer | Fred Frith, Intakt Records | |||
| Cosa Brava chronology | ||||
| ||||
The Letter is a studio album by Fred Frith's United States experimental rock group Cosa Brava. It was recorded in France in June 2010 and Oakland, California in August 2011, and was released by Intakt Records in Switzerland on March 21, 2012.[1][2]
Reception[edit]
| Review scores | |
|---|---|
| Source | Rating |
| All About Jazz | favourable[3] |
| AllMusic |   [4] |
Writing at All About Jazz, John Eyles described The Letter as "transcend[ing] genre", and Frith's songs as "melodic ... provid[ing] the group with plenty of scope for embellishment".[3] He said the album "hangs together well", adding that Kihlstedt's violin has "inflections carrying great emotional weight", and Frith's guitar as "fluid [and] interwoven with wordless vocals, to stunning effect" on "Common Sense".[3]
Track listing[edit]
All tracks are written by Fred Frith, except where noted
| No. | Title | Length |
|---|---|---|
| 1. | "Soul of the Machine" | 2:12 |
| 2. | "The Eyjafjallajökull Tango" | 6:48 |
| 3. | "Drowning" (Fred Frith, Zeina Nasr) | 4:04 |
| 4. | "The Wedding" | 6:08 |
| 5. | "The Letter" (Frith, Nasr) | 3:41 |
| 6. | "Slings and Arrows" | 7:23 |
| 7. | "Jitters" | 5:13 |
| 8. | "For Lars Hollmer" | 8:03 |
| 9. | "Emigrants" | 4:06 |
| 10. | "Nobody Told Me" | 4:10 |
| 11. | "Common Sense" | 7:15 |
| 12. | "Soul of the Machine (reprise)" | 2:05 |
Source: Intakt Records,[1] Discogs[2]
Personnel[edit]
- Fred Frith – guitar, bass guitar, voice
- Carla Kihlstedt – violin, bass harmonica, voice
- Zeena Parkins – accordion, keyboards, foley objects, voice
- Shahzad Ismaily – bass guitar, voice
- Matthias Bossi – drums, percussion, mayhem, vocals
- The Norman Conquest – sound manipulation
Guests[edit]
- Michael Elrod – tambura (track 4)
- William Winant – concert bass drum (track 10), crotales (track 2)
Recording and production[edit]
- Tracks 1, 2, 4, 5, 6, 8, 11, 12 recorded at Chàteau de Faverolles, France, June 1–4, 2010
- The Norman Conquest – engineer
- Tracks 3, 7, 9, 10 recorded at New Improved Recording, Oakland, California, August 9–11, 2011
- The Norman Conquest – engineer
- Mixed at Jankowski Soundfabrik, Esslingen, Germany, April 9–11, 2011, July 4–5, 2011, January 31, 2012, February 3, 2012
- Peter Hardt – engineer
- Mastered at Headless Buddha, Oakland, California, February 10, 2012
- Myles Boisen – engineer
- Artwork
- Heike Liss – cover image
- Jonas Schoder – graphic design
- Production
- Fred Frith – producer
- Intakt Records – producer
Source: Intakt Records,[1] Discogs[2]
References[edit]
- ^ a b c "The Letter". Intakt Records. Retrieved March 26, 2012.
- ^ a b c The Letter at Discogs
- ^ a b c Eyles, John (September 14, 2012). "Two Sides of Fred Frith". All About Jazz. Retrieved September 14, 2015.
- ^ "The Letter". AllMusic. Retrieved January 28, 2016.
External links[edit]
- The Letter at Intakt Records
- The Letter reviews at Intakt Records
