K.P. Jayasankar

From Wikipedia, the free encyclopedia

K.P. Jayasankar
The Director of the film “So Heddan, So Hoddan”, K.P. Jayasankar addressing at the special screening of his film, during the 42nd International Film Festival of India (IFFI-2011), in Panaji, Goa on November 30, 2011.jpg
K.P. Jayasankar, IFFI (2011)
Born
Alma materMaharaja's_College,_Ernakulam, Mumbai University
Occupation(s)Filmmaker, Educator, Curator
Years active1991 – present
SpouseAnjali Monteiro
Websitewww.monteiro-jayasankar.com

K.P. Jayasankar is a documentary filmmaker and researcher who lives in Mumbai. He is currently Professor at the School of Media and Cultural Studies, Tata Institute of Social Sciences. Jointly with Anjali Monteiro, he has over thirty-five documentary films and has over 30 national and international awards in film festivals.[1][2][3][4][5][6][7]

Career[edit]

Jayasankar was born in Kochi, Kerala, on 28 November. He completed his bachelor's degree in chemistry from Maharaja's College, Kochi in 1973 and a master's degree in German studies from Department of Foreign Languages, Mumbai University, in 1982. He has done his Ph.D. in humanities and social sciences from Indian Institute of Technology-Bombay, in 1991. He joined Tata Institute of Social Sciences in 1986. He married his colleague Anjali Monteiro in 1989 and they have a daughter.

Jayasankar joined the Audio-Visual Unit, Tata Institute of Social Sciences, in 1986, which is now the School of Media and Cultural Studies. He has been a visiting faculty/scholar at several media and design schools and universities, in India and overseas, including University of Heidelberg, University of Technology, Sydney, Lund University, Sweden, Goldsmiths University, London and Lahti Institute of Design, Finland.

Selected publications[edit]

  • 2020 Anjali Monteiro, K.P. Jayasankar and Amit Rai, DigiNaka: Subaltern Politics and Digital Media in Post-Capitalist India, Orient Blackswan.[8]
  • 2018 Faiz Ullah, Anjali Monteiro and K.P. Jayasankar, DiverCity- Independent Documentary as an Alternate Narrative of the City, in Devasundaram, A.E. (ed) Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution, Routledge
  • 2016 K.P. Jayasankar and Anjali Monteiro, A Fly in The Curry: Independent Documentary in India, Sage, 2016. Won Special Mention 64th National Film Awards#Golden Lotus Award for best book on cinema category.
  • 2012 Anjali Monteiro and K.P. Jayasankar, Resisting Censorship in India, East Asia Forum Quarterly, Vol 4, No. 1.
  • 2010 Anjali Monteiro K.P. Jayasankar, A New Pair of Scissors- the Draft Cinematograph Bill, Economic and Political Weekly, 17 July 2010
  • 2009 K.P. Jayasankar and Anjali Monteiro, Jai Ho Shanghai: The Invisible Poor in Slumdog Millionaire, in Kaldor, Mary et al. (eds) Global Civil Society Yearbook of the London School of Economics, Sage, London
  • 2005 K.P. Jayasankar and Anjali Monteiro, Censorship ke Peeche Kya Hai, in Nalini Rajan (ed) Practising Journalism, Sage, London
  • 2003 K.P. Jayasankar and Anjali Monteiro, The Plot Thickens – A Cultural Studies Approach to Media Education in India, in Tony Lavender, Birgitte Tufte and Dafna Lemish (eds.) Global Trends in Media Education, Hampton Press.
  • 2001 K.P. Jayasankar and Anjali Monteiro, Documentary and Ethnographic Film, Elsevier Encyclopaedia of Social and Behavioural Sciences, Elsevier.
  • 2000 K.P. Jayasankar and Anjali Monteiro, Between the Normal and the Imaginary – The Spectator-self, the Other and Satellite Television in India, in Hagen, I and Wasko, J.(eds) Consuming Audiences: Production and Reception in Media Research, Hampton Press.
  • 1998 Anjali Monteiro, Official Television and Unofficial Fabrications of the Self: The Spectator as Subject in Nandy, Ashis (ed.), The Secret Politics of Our Desires, OUP.
  • 1993 K.P. Jayasankar and Anjali Monteiro, The Spectator-Indian – An Exploratory Study of the Reception of News, Cultural Studies 10 (1).

Filmography[edit]

(Co-directed with Anjali Monteiro)

Year Title Length
2017 A Delicate Weave 62 minutes
2012 Farooq vs The State 25 minutes
2011 So Heddan So Hoddan 60 minutes
2009 Do Din ka Mela (A Two Day Fair) 60 minutes
2007 Our Family 56 minutes
2005 She Write 55 minutes
2003 Naata: The Bond 45 minutes
2001 Saacha (The Loom) 49 minutes
1997 YCP 1997 43 minutes
1995 Kahankar : Ahankar (Story Maker : Story Taker 38 minutes
1994 Identity: The Construction of Selfhood 20 minutes
1993 A Collective Exploration Of Ourselves, Our Bodies 23 minutes
1992 One Hundred Years Of Drought 21 minutes
1991 From the Diary of a Genetic Counsellor 30 minutes

Awards and recognition[edit]

  • 2013- Jayasankar's film Saacha (The Loom), co-directed with Anjali Monteiro was a part of the installation, Project Space: Word. Sound. Power. Tate Modern, London, as well as at Kochi-Muziris Biennale.
  • 2018 -Around 30 national and international awards to his films include Our Family.
  • 2008- Certificate of Merit and Special Mention of the Jury, at MIFF.
  • 2013- So Heddan So Hoddan won the Basil – Wright Award at RAI International Ethnographic Film Festival in
  • 2019- A Delicate Weave, which received the Jury's commendation, Intangible culture film prize, 16th Royal Anthropological Institute Festival at Bristol, UK.

References[edit]

  1. ^ Nagpaul, Dipti (24 November 2017). "A delicate weave of the musical traditions of communities from across Kutch". The Indian Express. Retrieved 28 December 2020.
  2. ^ "K P Jayasankar". Economic and Political Weekly: 7–8. 5 June 2015.
  3. ^ Pradeep, K. (8 December 2010). "Their hearts take over when the camera stops". The Hindu – via www.thehindu.com.
  4. ^ "Many realities, many worlds: Anjali Monteiro & KP Jayasankar at the Kochi Biennale 2018". www.indulgexpress.com.
  5. ^ "Anjali Monteiro". The Conversation.
  6. ^ "A delicately woven musical journey | Kochi News - Times of India". The Times of India.
  7. ^ "Documenting the social fabric of Kutch". The Hindu. 30 October 2017 – via www.thehindu.com.
  8. ^ "Orient BlackSwan".

External links[edit]